?Haydn

Haydn 發(fā)音

英：[?ha?d(?)n]　　美：[?ha?d?n]

英：　　美：

Haydn 中文意思翻譯

Haydn 短語(yǔ)詞組

1、Joseph Haydn ─── 約瑟夫·海頓（人名）

2、haydn sunrise quartet ─── 海頓日出四重奏

3、Franz Joseph Haydn ─── [網(wǎng)絡(luò)] 海頓；弗朗茨·約瑟夫·海頓；奧地利音樂(lè)家海頓

4、haydn chamber music ─── 海頓室內(nèi)樂(lè)

5、haydn composer ─── 海頓作曲家

6、Variations on a Theme by Haydn ─── 海頓的主題變奏曲

Haydn 相似詞語(yǔ)短語(yǔ)

1、haed ─── int.（表示驚異，愉快，懷疑，勝利等）哈；（笑聲）哈；（認(rèn)為某事并不可笑）哈；abbr.公頃(hectare)；n.(Ha)（美）哈（人名）

2、hade ─── n.偃角（礦脈與垂直面所成的斜角）；vi.礦井?dāng)鄬拥葍A斜

3、haying ─── n.割干草；堆干草；v.制干草；用干草喂（hay的現(xiàn)在分詞）

4、hadj ─── n.赴麥加朝圣

5、Haydon ─── 海登；n.(Haydon)人名；(英)海登

6、had ─── v.有；吃；得到（動(dòng)詞have的過(guò)去式和過(guò)去分詞）；aux.已經(jīng)（用于過(guò)去完成時(shí)和過(guò)去完成進(jìn)行時(shí)）

7、Haydn ─── n.海頓（奧地利作曲家）

8、hain ─── 海恩（地名）

9、Zaydi ─── 扎伊迪

Haydn 常見(jiàn)例句（雙語(yǔ)使用場(chǎng)景）

1、Franz Joseph Haydn ─── 海頓

2、Richter： A usual TV broadcast. Better close one's eyes! The lovely "White Room" at the Pushkin museum. It was the Haydn concerto which I performed only once. ─── 李希特：普通的電視轉(zhuǎn)播，最好閉起眼睛聽(tīng)。在普希金美術(shù)館優(yōu)美的白宮，演奏的是我只彈過(guò)一回的海頓協(xié)奏曲。

3、Franz Joseph Haydn Quartet No. 66 in G Major, Op. 77, No. 1, FHE No. 13, Hoboken No. 81 ─── 作者:可風(fēng)尚時(shí)間:2007-12-502:01標(biāo)題:海頓第六十六弦樂(lè)四重奏G大調(diào)作品.77,第一號(hào)分譜+總譜

4、However, Mozart had died the previous year, so Joseph Haydn took his place . ─── 不過(guò)莫札特卻在前一年就已過(guò)世，所以喬瑟夫?海頓代他指導(dǎo)貝多芬。

5、As an old man, Haydn wrote his oratorio The Creation and another equally splendid work for voices, The Seasons. ─── 晚年，海頓寫(xiě)了清唱?jiǎng)　秳?chuàng)世紀(jì)》和另一首也同樣很出色的聲樂(lè)作品《四季》。

6、Franz Joseph Haydn Quartet No. 56 in Eb Major, Op. 71, No. 3, FHE No. 39, Hoboken No. 71 ─── 作者:可風(fēng)尚時(shí)間:2007-12-410:21標(biāo)題:海頓第五十六弦樂(lè)四重奏降E大調(diào)作品.71,第三號(hào)分譜+總譜

7、Franz Xaver Gruber only found out about it in 1854 when the carol was almost attributed to Michael Haydn, the brother of famed composer Joseph Haydn. ─── 弗蘭茲?艾克塞瓦?格魯伯也是到了1854年才為人所知，當(dāng)時(shí)這首歌差點(diǎn)被認(rèn)為是著名作曲家約瑟夫?海頓的弟弟邁克爾?海頓所創(chuàng)作。

8、A brief analysis of the transformation of Haydn's music style ─── 淺析海頓音樂(lè)創(chuàng)作風(fēng)格的轉(zhuǎn)變

9、He took the sonata, symphony and concerto, consolidated in form by C. P. E. Bach, Haydn and Mozart, and transmuted them into grandiose, great and mad music of unprecedented scope and variety. ─── 他采納了卡爾·非刊浦·伊門(mén)紐爾·巴赫、海頓和莫扎特所鞏固下來(lái)的奏鳴曲、交響曲和協(xié)奏曲的形式，并使它們成為規(guī)?？涨暗摹⒍鄻踊摹靶蹓?、偉大和熱情的音樂(lè)”。

10、Urtext edition of classical piano music,chamber music and piano reduction of major concertos;complete editions of Beethoven,Brahms,Haydn;thematic catalogues. ─── 出版鋼琴樂(lè)譜，室內(nèi)樂(lè)樂(lè)譜，交響樂(lè)的鋼琴部分樂(lè)譜，包括貝多芬，勃拉姆斯，海頓等作品。

11、Haydn: Yes, hybrid cars use much less fuel than an ordinary car. ─── 海頓:不錯(cuò)，混合型汽車(chē)的燃料消耗量比一般汽車(chē)小得多。

12、About Haydn music work research, people more paid attention to symphony and string quartet, but research on piano sonata actually appears somewhat weakly. ─── 關(guān)于海頓音樂(lè)作品的研究，人們更多地關(guān)注其交響樂(lè)、弦樂(lè)四重奏，而鋼琴奏鳴曲的研究卻顯得有些薄弱。

13、In 1761 Haydn was made musical director to the rich Esterhazy family,and composed vast amounts of music of many kinds. ─── 1761年，海頓任埃斯特哈齊富豪家族樂(lè)隊(duì)指揮，并寫(xiě)了大量各種不同的樂(lè)曲。

14、Austrian composer Mozart is to classical music composers were the most typical, with works by Haydn, Beethoven and Vienna as the three great composers of classical music camp. ─── 奧地利作曲家莫扎特是古典樂(lè)派最典型作曲家，與海頓、貝多芬并稱(chēng)為維也納古典樂(lè)派三大作曲家。

15、In the crowds who went to hear performances of Beethoven symphonies, Haydn oratorios, or Mozart operas, shopkeepers and artisans easily joined princes of the realm. ─── 在去音樂(lè)廳聽(tīng)貝多芬交響樂(lè)、海頓的圣樂(lè)或莫扎特的歌劇的人流中，小店主和手藝人很容易有機(jī)會(huì)和這一王國(guó)的王子走在一起。

16、Different edition sonata has provided extremely broad imagination space for the posterity from different angle to perform Haydn's sonata. ─── 不同版本的奏鳴曲，為后人從不同的角度詮釋海頓鋼琴奏鳴曲提供了極為廣闊的想象空間。

17、Franz Joseph Haydn Quartet No. 38 in Eb Major, Op. 50, No. 3, FHE No. 12, Hoboken No. 46 ─── 作者:可風(fēng)尚時(shí)間:2007-12-210:40標(biāo)題:海頓第三十八弦樂(lè)四重奏降E大調(diào)作品.50,第三號(hào)分譜+總譜

18、a) First movement of a Classical Sonata (e.g., Beethoven, Haydn, Mozart, or Schubert ─── 古典奏鳴曲第一樂(lè)章（如貝多芬，海頓，莫扎特或舒伯特）

19、In the antechamber, three violins and a flute softly played quartettes by Haydn. ─── 在候見(jiàn)室里有三把小提琴和一支笛子在輕聲演奏著海頓的四重奏。

20、One of my violin strings broke right in the middle of the Haydn piece. ─── 我演奏海頓的作品演到一半時(shí)，我的小提琴弦斷了。

21、Before 1800, he had published works modeled upon Haydn and Mozart, but already touched with the power and beauty that are Beethoven. ─── 1800年之前，他曾經(jīng)出版了模仿海頓和莫扎特的作品，但是已經(jīng)帶有貝多芬獨(dú)特的力與美。

22、You should be able to play chamber music works on the difficulty level of easy String Quartets or Piano Trios by Joseph Haydn. ─── 你應(yīng)該可以演奏較難程度的室內(nèi)樂(lè),如由海頓創(chuàng)作的弦樂(lè)四重奏或鋼琴三重奏.

23、The Handel and Haydn Society ─── 漢德?tīng)柡秃ｎD社團(tuán)

24、He became a pupil of Haydn's 4 but was dissatisfied with his method of teaching. ─── 他成了海頓的學(xué)生，但不滿(mǎn)意海頓的教學(xué)方法。

25、Secondly, Robert Haydn was encountered by many black poets who advocated The Black Aesthetics, because Robert Hayden insisted a personal and historical arid cultural perspective in poet writing. ─── 他還是一個(gè)主張從個(gè)人和歷史文化角度來(lái)寫(xiě)作的詩(shī)人，因此遭到了提倡和支持黑人美學(xué)運(yùn)動(dòng)的黑人詩(shī)人的排擠。

26、Franz Joseph Haydn Quartet No. 55 in D Major, Op. 71, No. 2, FHE No. 38, Hoboken No. 70 ─── 作者:可風(fēng)尚時(shí)間:2007-12-410:11標(biāo)題:海頓第五十五弦樂(lè)四重奏D大調(diào)作品.71,第二號(hào)分譜+總譜

27、After a minute of the Haydn sonata, for example, she stops me and rewinds the video. ─── 例如我彈了一分鐘的海頓奏鳴曲之后，她就要我停下，然后倒轉(zhuǎn)錄影帶。

28、As an old man, Haydn wrote his oratorio The Creation and another equally splendid work for voices, The Seasons. ─── 晚年，海頓寫(xiě)了清唱?jiǎng)　秳?chuàng)世紀(jì)》和另一首也同樣很出色的聲樂(lè)作品《四季》。

29、In 1761 Haydn was made musical director to the rich Esterhazy family, and composed vast amounts of music of many kinds. ─── 1761年海頓任埃斯特哈齊富豪家族樂(lè)隊(duì)指揮，并寫(xiě)了大量各種不同的樂(lè)曲。

30、Haydn first movement of any one Sonata ─── 海登任何一首奏鳴曲之第一樂(lè)章

31、His musical compositionfollowed the classical style of Haydn and Mozart in 18th century, and also predictedand reflected the romantic style of the 19th century. His Piano Concerto No. ─── 他的音樂(lè)創(chuàng)作從形式、體裁到風(fēng)格都承襲了18世紀(jì)以海頓、莫扎特為代表的古典音樂(lè)風(fēng)格,而且預(yù)示或體現(xiàn)了19世紀(jì)浪漫主義的特征。

32、The greatest composers of classical music are Bach Handel, Haydn, Mozart, and Beethoven. ─── 最偉大的古典樂(lè)曲作曲家有巴赫、漢德?tīng)?、海頓、莫扎特和貝多芬。

33、Among music genres composed by Haydn, String Quartet was one of the most important. ─── 而在海頓眾多的音樂(lè)體裁創(chuàng)作中，弦樂(lè)四重奏又顯得尤為重要。

34、1. Other composers had written symphonies before Haydn, but he changed the symphony into a long piece for a large orchestra. ─── 在海頓之前,其他的作曲家也已經(jīng)寫(xiě)過(guò)交響樂(lè)曲,但是他把交響樂(lè)演繹成管弦樂(lè)協(xié)奏曲.

35、It engineer Haydn crack encrhymealDannynouncedrnedd Beethoven to aroBay to Vienna. ─── 是海頓鼓勵(lì)貝多芬移居維也納的。

36、Set the input data as Haydn. ─── 設(shè)置輸入數(shù)據(jù)為Haydn。

37、Every other year we would perform an oratorio: Handel ’s Messiah, Haydn’s Creation or Mendelssohn’s Elijah. ─── 我們教堂有個(gè)很棒的唱詩(shī)班。

38、Franz Joseph Haydn Quartet No. 58 in F Major, Op. 74, No. 2, FHE No. 29, Hoboken No. 73 ─── 作者:可風(fēng)尚時(shí)間:2007-12-410:28標(biāo)題:海頓第五十八弦樂(lè)四重奏F大調(diào)作品.74,第二號(hào)分譜+總譜

39、As refered to Austria, a lot of people think of Immerseing in the world of Mozart,Haydn and Schubert. ─── 一提到奧地利，很多人都想到可以沉醉在莫扎特、海頓和舒伯特的世界里。

40、Her recital led off/ She led off her recital with a Haydn sonata. ─── 她在獨(dú)奏會(huì)上首先演出的是海頓的奏鳴曲.

41、This name was created to imply that this "New Music" would have the same effect as the "First Viennese School" of Haydn, Mozart and Beethoven. ─── 如同名字暗示的，這種新音樂(lè)意欲達(dá)致如同古典的維也納樂(lè)派的影響力，如同海頓、莫札特和貝多芬一樣。

42、Mozart is a contradiction in that he was more conservative and followed the "rules" much more than Haydn, yet his music is incomparable. ─── 莫扎特是個(gè)矛盾體，他比海頓更保守而循規(guī)蹈矩，但他的音樂(lè)卻無(wú)與倫比。

43、Haydn did not create sonata form, but he was a master of it. ─── 海頓并不是奏鳴曲式的創(chuàng)始人，卻是其中的行家里手。

44、Variations on a Theme of Haydn by Brahms ─── 博拉姆斯:海頓主題變奏曲

45、Debussy, Handel, Haydn, Liszt, Rachmaninoff, Schubert, and more... ─── 我每天還在不斷得添加更多的曲子。

46、Paul Galbraith plays Haydn Sonatas ─── 保羅·格布瑞什演奏海頓奏鳴曲

47、Mozart usually keeps his surfaces smoother than Haydn, achieving a more polished suavity. ─── 莫扎特較海頓更注重外在的流暢性，以期達(dá)到更優(yōu)美的溫和感受。

48、HAYDN, J.: Symphony No. 96, "The Miracle" and No. 97 (Amsterdam Concertgebouw Orchestra, Beinum) (1952 ─── 海頓,J.:第96交響曲,"奇跡"和第97交響曲(阿姆斯特丹音樂(lè)廳管弦樂(lè)團(tuán),貝努姆)(1952

49、In Hero,Beethoven displayed the unique artistic charm of his individuality completely,broke through the traditional pattern which Mozart and Haydn had founded formerly,and went out a brand-new path. ─── 在《英雄》中,貝多芬完全發(fā)揮出他個(gè)性獨(dú)特的藝術(shù)魅力,突破了以往莫扎特、海頓所開(kāi)創(chuàng)的傳統(tǒng)模式,走出了一條全新的道路。

50、Haydn: The Seven Last Words of our Saviour on the Cross ─── 臨終七言

51、Later composers followed Haydn's outline plans for his symphonies and other works. ─── 后來(lái)作曲家們都仿效海頓譜寫(xiě)交響曲和其他作品的布局。

52、April 20-22: Harell, Cello, Robert X. Rodriguez: Musical Dice Game, Haydn: Cello Concerto in D Major, R. Strauss: Ein Heldenleben ─── 哈瑞爾，名大提琴家；海頓大提琴協(xié)奏曲；理查史特勞斯交響詩(shī)：英雄的生涯

53、Lessons in composition with Haydn he supplemented by working with Scherick and, later, with Albrechtsberger and Salicri. ─── 他拜海頓為師學(xué)習(xí)作曲，另一方面又與申克，后來(lái)又和阿布雷茲貝格、沙里埃里在共事中學(xué)習(xí)。

54、Franz Joseph Haydn Quartet No. 51 in G Major, Op. 64, No. 4, FHE No. 34, Hoboken No. 66 ─── 作者:可風(fēng)尚時(shí)間:2007-12-409:22標(biāo)題:海頓第五十一弦樂(lè)四重奏G大調(diào)作品.64,第四號(hào)分譜+總譜

55、This article explores the influence of the sponsoring system to the music styles in 18th Century by analyzing the relationship between sponsors and musicians, like Haydn, Mozart, and Beethoven. ─── 本文主要以海頓、莫扎特、貝多芬為例,通過(guò)贊助人與作曲家之間的關(guān)系,管窺西方18世紀(jì)贊助制度對(duì)音樂(lè)風(fēng)格的影響。

56、Haydn and Mozart were both Austrians who spent much of their professional lives in Vienna. ─── 海頓與莫扎特均出生于奧地利，且專(zhuān)業(yè)生涯主要集中于維也納。

57、DVORAK, A.: Serenade / HAYDN, F.: Horn Concerto No. 2 / HANDEL, G.: Oboe Concerto No. 2 / Concerto Grosso in C major (Winograd, Janssen) (1954, 1957 ─── 德沃夏克,A.:小夜曲/海頓,F.:第2圓號(hào)協(xié)奏曲/亨德?tīng)?G.:第2雙簧管協(xié)奏曲/C大調(diào)大協(xié)奏曲(維諾格拉德,簡(jiǎn)森)(1954,1957

58、She has fallen in love with many masters of classical music, such as Haydn and Bach.The unruliness in Jazz is also fascinating to her. ─── 既鐘情于海頓、巴赫等古典音樂(lè)大師，同時(shí)又迷戀爵士樂(lè)的自由不羈。

59、Her recital led off/She led off her recital with a Haydn sonata. ─── 她在獨(dú)奏會(huì)上首先演出的是海頓的奏鳴曲。

60、This was a great honour - Haydn had been asked in 1792 - and he conducted his own twelve minuets and twelve German dances. ─── 這可是一個(gè)很大的榮譽(yù)——海頓曾于1792年受過(guò)此類(lèi)委托——而且貝多芬親自指揮了自己的12首小步舞曲和12首日爾曼舞曲。

61、for example, the renaissance consort repertoire, the Terpsichore dances, the Mozart and Haydn Quartets, all in single line form. ─── 例如，文藝復(fù)興時(shí)期的合奏曲目，特耳西科瑞舞曲，莫扎特和海頓的四重奏，所有都采用單線(xiàn)形式。

62、Franz Joseph Haydn Quartet No. 57 in C Major, Op. 74, No. 1, FHE No. 28, Hoboken No. 72 ─── 作者:可風(fēng)尚時(shí)間:2007-12-410:58標(biāo)題:海頓第五十七弦樂(lè)四重奏C大調(diào)作品.74,第一號(hào)分譜+總譜

63、Having worked there for 30 years, Haydn moved to London, where he was very successful. ─── 在那里工作了30年后，海頓移居倫敦。在倫敦，他非常成功。

64、In the second half of the 18th century music found new and important expression in the works of the austrian composers F. Haydn and W. Mozart. ─── 18世紀(jì)后半葉，奧地利作曲家海頓和莫扎特的作品使音樂(lè)界出現(xiàn)了一種全新的、重要的景象。

65、Franz Joseph Haydn Quartet No. 44 in E Major, Op. 54, No. 3, FHE No. 21, Hoboken No. 59 ─── 作者:可風(fēng)尚時(shí)間:2007-12-212:49標(biāo)題:海頓第四十四弦樂(lè)四重奏E大調(diào)作品.54,第三號(hào)分譜+總譜

66、Variations on a theme of Haydn ─── 布拉姆斯:海頓主題變奏曲

67、Richter： A phrase which would seem very simple in Haydn or Beethoven, becomes horribly difficult if it's by Mozart. Really difficult! I've not yet found the key to Mozart. ─── 李希特：在海頓或貝多芬作品里很容易彈的樂(lè)句，如果出現(xiàn)在莫札特的作品里，會(huì)變得難到嚇人。真的很難！我還沒(méi)找到演奏莫札特的訣竅。

68、Haydn pointed out that Beethoven was in debt, and had had to borrow money from him, and asked the Elector to increase Beethoven's salary. ─── 1793年他要海頓親自給選侯寫(xiě)信，海頓指出貝多芬欠了債，不得不向他借錢(qián)，并且要選侯增加貝多芬的薪水；

69、Then in music history, nearly all great composers, Bach, Handel, Haydn, Mozart, Schubert, Beethoven and many more, left great choral works. ─── 在音樂(lè)史上，多位偉大的音樂(lè)家如巴哈、韓德?tīng)?、海頓、莫札特、舒伯特、貝多芬等都為后世留下了合唱歌曲的典范。

70、Sonata (I or II and III movs): Haydn, Mozart, Beethoven, Clementi (optional). ─── 奏鳴曲(第一樂(lè)章或者第二和第三樂(lè)章):海頓,莫扎特,貝多芬,克萊門(mén)第(可選).

71、Her recital led off/She led off her recital with a haydn sonata ─── 她在獨(dú)奏會(huì)上首先演出的是海頓的奏鳴曲

72、Yo-yo Ma plays Haydn with HK Philharmonic and its music director Samuel Wong. ─── 大提琴,大提琴家,慢板,海頓,演奏,管弦樂(lè)團(tuán),馬友友,黃大德

73、This collection contains Father of the Symphony, Haydn's most colorful and elegant works.Listen to these clear, refreshing melodies, joyful as a cloudless day. ─── 交響曲之父最紛繁典雅的靈感之作，傾聽(tīng)總是散發(fā)出清新健康氣氛的音樂(lè)旋律，感受最輕松愉悅的天籟神韻。

74、I love haydn cello conerto very much. I own Starker's and Wang Jian's version. What would you recommend for haydn cello conerto ? ─── 我近工前都有聽(tīng)音樂(lè)的習(xí)慣，今早是海頓大提琴協(xié)奏曲，音量同平常差不多。

75、After Haydn went to England, Beethoven began to feel more secure, and began to compose new works. ─── 在海頓去英國(guó)后，貝多芬開(kāi)始覺(jué)得更為安全， 也開(kāi)始了新的創(chuàng)作。

76、It is not necessary to tell any quartet player the world that they began with Haydn. All quartet everywhere begin with a little Haydn. ─── 不需要告訴四重奏的演奏者，全世界各地都知道四重奏是要從海頓的一些作品開(kāi)始的。

77、Ho, Jack. It was awful! One of my violin strings broke right in the middle of the Haydn piece. I felt so embarrassed. Even the judges were laughing at me. ─── 哦，杰克，真是糟透了。我演奏海頓的作品演到一半時(shí)，我的小提琴弦斷了。我感到非常尷尬。連評(píng)委都在笑我。

78、It looks as though Beethoven had been deceiving Haydn, both about his compositions and his income, and this may well explain why he did not after all accompany Haydn to London in January 1794. ─── 在作曲和收入方面，似乎貝多芬一直在欺騙海頓，這也許能充分地解釋?zhuān)瑸槭裁?794年1月貝多芬最終沒(méi)有陪海頓去英國(guó)。

79、3 Having worked there for 30 years, Haydn moved to London, where he was very successful. ─── 在那里工作了30年后，海頓移居倫敦。在倫敦他非常的成功。

80、Franz Joseph Haydn Quartet No. 35 in D Minor, Op. 42, No. 15, FHE No. 15, Hoboken No. 43 ─── 作者:可風(fēng)尚時(shí)間:2007-12-203:11標(biāo)題:海頓第三十五弦樂(lè)四重奏D小調(diào)作品.42,第十五號(hào)分譜+總譜

81、Franz Josef Haydn ─── 弗朗茨·卓約夫·海頓

82、You might hear Mozart, Schubert, Beethoven, Strauss, or Haydn at an opera house, a church, or an open-air performance. ─── 您在劇院、教堂或戶(hù)外都有可能聽(tīng)到莫扎特、舒伯特貝多芬、施特勞斯或海頓的曲子。

83、Haydn The Seven Last Words ─── 海頓:臨終七言

84、Classical composers such as Mozart and Haydn ─── 古典派的作曲家如莫札特和海頓

85、His Early period was heavily influenced by his teachers, mainly Mozart and Haydn. ─── 他的早期受到其恩師的影響甚深，主要是莫扎特及海登。

86、This is a research of the three Viennese masters Haydn, Mozart and Beet hoven, including their times and chamber music style. ─── 室內(nèi)樂(lè)起源于17、8世紀(jì)間的歐洲,這種多聲部音樂(lè)具有曲式嚴(yán)謹(jǐn)、奏細(xì)膩等特征,本文就維也納古典樂(lè)派三位大師海頓、扎特、多芬所處的歷史時(shí)代及他們的室內(nèi)樂(lè)風(fēng)格作一分析探索。

87、Concert Life in London from Mozart to Haydn ─── 從莫扎特到海頓時(shí)期倫敦的音樂(lè)會(huì)生活

88、Richter： To tell you the truth, I prefer Haydn. ─── 李希特：老實(shí)說(shuō)，我比較喜歡海頓。

89、It is not necessary to tell any quartet player the world that they began with Haydn. All quartet everywhere begin with a little Haydn. ─── 不需要告訴四重奏的演奏者，全世界各地都知道四重奏是要從海頓的一些作品開(kāi)始的。